Sunday, September 30, 2012

Inspired By Bach - Bach: Cello Suites

Inspired By Bach - Bach: Cello Suites

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Product Description

Yo Yo Ma - Inspired By Bach (3 Dvd)

Inspired By Bach - Bach: Cello Suites Review

A very interesting way to listen to JS Bach's suites, by the cello of Yo-yo Ma, viewing sceneries created by great architects, musicians, choreographers, each one built on what each suite inspires.
A pleasure to the ears and to the eyes.

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Saturday, September 29, 2012

Dracula the Series, Vol. 1 & 2

Dracula the Series, Vol. 1 & 2

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Product Description

DRACULA

Dracula the Series, Vol. 1 & 2 Review

I watched this many years ago when I was about the same age as the kids in the show. Sure, some of it is pretty awful and it loses itself back and forth between being a kids show and an adult's, but it's a fun, campy romp with some pretty original ideas and a certain faithfulness to the original story by Stoker and European vampire mythos. Geordie Johnson makes for a very handsome Dracula, IMHO, and the location where it was filmed couldn't be more beautiful. I would love to see this picked up again with Geordie back in the lead and a more focused script team behind the wheel.

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Friday, September 28, 2012

Combining Stick and Footwork Dog Brothers Martial Arts Kali Eskrima Arnis

Combining Stick and Footwork Dog Brothers Martial Arts Kali Eskrima Arnis

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Product Description

Fights move!!! The FMA are rightly famous for their footwork, yet most people find it very hard in real time to move their feet and the stick(s) at the same time in anything except linear forward and backward shuffling. In this the first tape of the second series, Guro Crafty introduces the training methods to bring out the ability to functionally combine stick and footwork that he has used to the real time success of those who train with him.

Combining Stick and Footwork Dog Brothers Martial Arts Kali Eskrima Arnis Review

I am a kali/jkd instructor myself and have the Dog Brothers complete video set. This particular volume on footwork is excellent as an introduction to the subject, and also will be useful for intermediate students, too.

In the weapons arts, footwork is critical, as a slip there or misstep in distance could be fatal. He who controls the distance controls the fight, especially in the weapons arts, where a distance of an inch or less can mean the difference between life and death. I like the complete Dog Brothers set, but there is no more important a subject than footwork, and if you're not competent there, there is nothing that will hold you back more.

Overall this is a detailed and practical introduction to the subject. You can follow this up with the great videos by Danny Inosanto, Remy Presas, Edgar Sulite, Ted Lucaylucay, Mike Inay, all of whom I highly recommend, as well as many other great teachers out there who have produced videos in recent years.

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Thursday, September 27, 2012

Velvet Goldmine (Combo Blu-ray/DVD) (Blu-ray)

Velvet Goldmine (Combo Blu-ray/DVD) (Blu-ray)

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Velvet Goldmine (Combo Blu-ray/DVD) (Blu-ray) Review

An oddball film that chronicles the rise and fall of an early 1970s glam rock star, Velvet Goldmine almost defies categorization. While separating fiction from fact can be tricky, the story is based pretty much on the life of David Bowie; some details have been tweaked for dramatic effect, but there's surprisingly little deviation from just about any biography that's ever been written about him. The non-linear narrative takes the viewer into the glittery world of one Brian Slade (Jonathan Rhys-Meyers) and the entourage surrounding him. Slade had created an alter-ego for himself called Maxwell Demon (as Bowie created Ziggy Stardust), and the character had almost come to eclipse Slade himself. After an on-stage stunt literally backfires, Slade's fans revolted against him, and the singer vanished into drugs and obscurity.

His story is conveyed in flashbacks when, in 1984, journalist Arthur Stuart (Christian Bale) is assigned to write a tenth anniversary retrospective on Slade and perhaps uncover the singer's ultimate fate. Arthur interviews Slade's first manager, Cecil (Michael Feast) and then his bitter ex-wife, Mandy (Toni Collette), and from them pieces together Slade's early background as a musician, including the players who proved crucial to his career: maverick second manager Jerry Devine (Eddie Izzard), unstable proto-punk rocker Kurt Wild (Ewan McGregor), and deceptively shy wardrobe mistress Shannon (Emily Woof). Arthur of course is no mere bystander to all these events; the unfolding story reveals that he was a huge fan of Slade, turning to music as an escape during his troubled adolescence. In digging up Slade's past, he also unleashes a lot of his own demons, and the story is just as much Arthur's as Brian's.

Although the film stands as a loving homage to glitter, it also doesn't hesitate to reveal that the core of the phenomenon was essentially empty. Somehow, Velvet Goldmine manages to both celebrate and condemn glam rock: Slade starts his career as a naive singer-songwriter with some interesting and unusual ideas, but once Devine's corporate machine takes over, Slade's creativity is stifled to the point where he's a prisoner of his own artifice. Ultimately, the pre-fabricated exterior is all that's left of him.

Teasing out the narrative thread is no easy feat. Velvet Goldmine is liberally draped in yards of trappings: musical interludes, documentary sequences, images that often go unexplained and don't add much; there's characters, scenes, and plot threads that serve no purpose other than window dressing. Some of this proves effective (a take on early music video is a real hoot), but much of the excess could've been trimmed away in the interests of tightening the story. While Arthur's investigation into the Slade mystery is handled well, other plot elements needed more attention.

Bowiephiles will recognize every phase of their idol's early career: the dapper mod, the curly-haired hippie, the cross-dressed singer-songwriter, the flamboyant glam rocker (there's even a very fun poke at Serious Moonlight-era Bowie that cleverly ties into the main plot). The characters mirror exactly those in Bowie's orbit, but viewers who don't know the characters and don't get the jokes/ references are apt to find themselves baffled, not to mention put off by the film's excesses.

Anyone willing to sift through the spangles and feathers, however, will be rewarded with some terrific acting. Ewan McGregor is mostly wasted as the unstable Kurt Wild--he has a couple of knockout performance sequences, but Wild otherwise spends most of his scenes drugged out and exploding in angry diatribes; although McGregor gets top billing, Wild is really a supporting player. Izzard is a lot of fun as the oily Devine; Woof handles Shannon's transformation from innocent schoolgirl to shrewd operator with aplomb; Feast is terrifically droll in his work as the ignominiously discarded Cecil. Bale is utterly fearless as Arthur: he has to put across a lot of weakness and shyness and self-doubt, as well as Arthur's sexual awakening. Many actors wouldn't have touched this character with the proverbial ten-foot pole, but Bale handles the material--including one humiliating moment in Arthur's life--without the slightest hint of self-consciousness. Toni Colette is a marvel, taking her character from naive party girl to cynical rock wife to jaded, washed-up ex--she's funny and subtle and outrageous, suggesting a deep and genuine love for Brian, pain and betrayal when he essentially dumps her for Kurt, and finally weary bitterness that the world at large has forgotten her. Of all the characters, Mandy seems to have truly loved the wild circus of glam rock, and she longs for the past with a touching sense of nostalgia.

As terrific as all these performances are, the film belongs to Jonathan Rhys-Meyers, whose turn as Bowie is nothing short of riveting. A kind of raw sexual energy seems to pour out of him; he's magnetic, and much like Bowie himself, it's impossible to take your eyes off him. The physical resemblance is particularly uncanny, and Rhys-Meyers gets all the little details down perfectly: the expressions, the posture, the body language. Like Bale, he tackles the role head-on, and it's a testament to his skill that he conveys such depth of emotion through layers of costume, wig, and makeup. Even his reedy voice evokes the young Bowie, and yes, that's him singing in four different numbers (two of them were left off the movie's soundtrack CD). This role, more than any of his others, brings home the depth and extent of JRM's talent. Everyone in the film is stellar, but only Rhys-Meyers seems touched with genuine prodigy. Anyone who admires him as an actor shouldn't miss him here.

Velvet Goldmine's other great strength is its music, which consists of classic tunes from the era, as well as songs specifically written for the film. The overall effect is of a long-lost Bowie album, and it's a pity that two or three show-stoppers were left off the soundtrack. Music is of course inextricably linked to story in this type of film, used to illuminate character and propel the narrative. A couple of set pieces don't work, but mostly the music is wonderful, melding perfectly to the visual images and adding depth to each scene.

Velvet Goldmine plainly isn't a movie for everyone, and almost certainly some would find it unwatchable; mileage will vary greatly depending on one's tolerance for gay characters, men in drag, and a heightened sense of camp. There's also a *lot* of sex (gay, straight, group, and solo) and full frontal nudity (male and female)--the film is rated R for a very good reason. Velvet Goldmine can probably be summed up as a diamond in the rough--the viewer may need to do some chipping, but the glittering facets that are revealed make the effort worthwhile.

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Wednesday, September 26, 2012

Mad Detective

Mad Detective

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Product Feature

  • 1 disc package (region 0 NTSC)
  • English and Chinese Subtitles
  • Winner of the 27th Annual HK film Award for Best Screenplay

Product Description

A rookie cop teams up with a former detective with a supernatural gift to hunt down a serial killer. Johnnie To and Wai Ka Fai had once against push the limits of film making with a thought provoking movie. Mad Detective gave a memorable insight to how human's psychological might have work and with the fine ensemble here had painted a cold, bleak and unflinching darkness of man's inner most thoughts, making this an unforgettable movie to watch. The draw back here could be that it might not be that accessible by the general movie viewers as Mad Detective requires it's viewers to have the patience to pay close attention to the numerous characters and strange concepts which could be trying at times.

Mad Detective Review

MAD DETECTIVE is from Johnnie To's production outfit; Milky Way Image, the production company responsible for such acclaimed Hong Kong hits such as "Exiled". Milky Way has given new life to Hong Kong Cinema and perhaps maintaining the country's image as a reputable leader in the crime genre. This latest offering from the creative team of Johnnie To and Wai Ka-Fai still has the usual coolness, it mixes crime thrills and detective work, familiar motifs and themes, but somehow it feels more cryptic and enigmatic than the usual. The film definitely feels a lot more like a psychological detective thriller than anything else.

Synopsis partially derived from the Mei-Ah dvd back cover:
A missing police pistol is connected to a series of recent heists and murders. Its owner Wong (Lee Kwok Lun) vanished after pursuing suspects in the bushes. His partner Chi-Wai (Lam Ka Tung) miraculously returned unscathed.
Inspector HO (Andy On) the officer in charge, seeks assistance from his former mentor; Bun (Lau Ching Wan), who had once been recognized as a gifted criminal profiler until he became judged insane some years ago. He has the uncanny ability to see into a person's inner personality, where the subconscious desires and emotions are laid bare. After the first contact with Chi-Wai, Bun concludes that Chi-Wai is the murderer. What began as a quest for answers has now taken a schizophrenic turn where truth and lies, reality and delusions intertwine....

If you saw the film "Running on Karma", you have a good idea on how this exercise in Buddhist indulgence plays out. The film takes the very cryptic and odd premise of "seeing a person's inner personality" to a very creative style. The film's premise is very ambitious and effective. An eccentric detective, who can see the emotions and inner desires of a person; to his associates, Bun appears quite insane. Bun uses this uncanny ability to explore complex emotions in solving a crime. True, "Mad Detective" is about cops and the investigation of crimes, but the complexity of its plot is just who these people are and what they are about to do. It was very different and creative the way the director expressed the inner personalities within one person. Viewers have to pay special attention to its proceedings as the camera's perspective shifts from time to time, a person will "morph" into someone else as a representation of that character's hidden personality. This style will have to be embraced by the audience, as the very unusual visual manipulation may sometimes show 7 people walking along the sidewalk in place of one person, 7 folks crammed in one compact car instead of one, a woman standing to urinate, etc. The switching characters and perspectives will encourage the viewer to stay sharp, it made me think and analyze the sequences. Truth be told, the film made me work, and while I was definitely drawn to the film, some viewers may become a bit alienated and confused.

Thankfully, award-winning actor Lau Ching Wan plays the lead. No one can play a weird eccentric with dynamic charisma better than Lau. His weathered and exhausted appearance, very manic and strange behavior adds a lot of depth to his character; Bun. Lam Suet and Eddie Cheung makes appearances as Chi-Wai's different personalities, Kelly Lin plays Bun's wife. "Mad Detective" is so full of compelling and multi-dimensional characters, that at times, I felt a bit of character overload. These characters aren't very different from everyday folks, with inner voices nudging the person to either do right or wrong; with unexpected consequences that may also be damning and dangerous to others.

"Mad Detective" may be a bit different from the other films I'm used to by Johnnie To but one thing that still held his signature is its great storytelling. As usual, there is somewhat of a "shock ending" that is bereft in ultimate irony. The film can definitely form a connection with its viewers, its real-world and real-life execution is likely to strike a chord to many. The ending may cause some people to scratch their heads, but if you've been paying attention during its entirety, it does make perfect sense. The twist and turns may prove a bit maddening but pseudo-intellectuals will no doubt have a field day trying to interpret its meaning.

Johnnie To's "Mad Detective" will no doubt become a favorite among his fans, who are used to the deadpan humor, crazy irony, plot arches, and a bit of misogyny. The film is definitely to a selected, intended audience as it may prove a tougher sell to people who like to be spoon-fed the details and uninitiated to this style. Still, the content and its meaning did prove very intoxicating and compelling to me. I may not be able to fully explain why I enjoyed this film and some details may seem a bit confusing, but my inner personality (who is The Mighty Thor LOL) who is flailing his arms says I like this film a lot!

HIGHLY RECOMMENDED! [4 Stars]

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