Crossfire (Turner Home Entertainment Colorized Version)

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(Colorized) Crossfire was nominated for the 1947 Best Picture Oscar won by Gentleman's Agreement. Gentlemen may propose, if not agree, that Crossfire was better. Like its upscale rival, the film noir raises the specter of anti-Semitism in America: just after World War II, an affable Jew (Sam Levene) is beaten to death by one of several GIs out "crawling." Solving the crime takes all night, but for the audience the killer's identity is scarcely in doubt; Robert Ryan's chilling study in psychopathic bigotry scored him his lone Oscar nomination. He's nearly matched in creepiness by Paul Kelly as an odd nightbird married to sultry Gloria Grahame. Two other worthy Roberts--Young and Mitchum--respectively play the police detective and the Army sergeant wondering which of his guys is a murderer. Incidentally, the hot button in the Richard Brooks novel was not anti-Semitism but homophobia--a sweaty subtext in Edward Dmytryk's film. --Richard T. Jameson

Crossfire (Turner Home Entertainment Colorized Version) Review

While "Gentleman's Agreement" exposed anti-Semitic bigotry among New York's sophisticated cocktail set, RKO's "Crossfire" tackled the topic from a Middle American perspective as Robert Ryan gave one of his most stirring performances as a soldier returning to America from war filled with hatred."Crossfire" was one of the greatest low budget achievements in film history, earning five Academy Award nominations. Director Edward Dmytryk turned out a gem on a $550,000 budget. It was shot in 20 days. Dmytryk shot 140 scenes distributed out over a 6 1/2 hour daily schedule, a pace of 20 scenes per day.The film noir classic was based on the novel "The Brick Foxhole" written by ex-Marine Richard Brooks, who would later became a film writer, and finally the great director of classics such as "Elmer Gantry" and "In Cold Blood." Brooks' novel differed from the film in one basic area. In the book Montgomery, the hateful killer, murdered a homosexual, while also revealing a hatred for Jews. In the movie he was revealed as a former police officer from St. Louis who detested Jews, killing kindly Sam Levene, who invited him into his Washington, D.C. residence for a drink.The film encompasses one very busy night in our nation's capital, in which Robert Mitchum, playing a worldwise, cool-headed sergeant, helps police detective Robert Young to solve the case. Mitchum is determined from the outset to clear George A. Cooper, the vulnerable young soldier on whom Ryan seeks to pin the crime, taking advantage of the fact that Cooper had been drinking and cannot initially adequately account for his time during the time period of the crime.Cooper's cause is aided by Paul Kelly, who plays a bizarre, mentally troubled man with a penchant for alcohol and a strong urge for B-girl Gloria Grahame, who takes Cooper back to her apartment. Not wanting to get involved, Grahame refuses to help provide Cooper with an alibi, not even after Cooper's wife, Jacqueline White, has interceded on her husband's behalf. Just as Young, Cooper and White are about to leave, Kelly, having overheard the conversation, walks into the living room and corroborates Cooper's account of events.Ryan commits a second murder, killing fellow soldier Steve Brodie when he fears that he will go to the police, strangling him with his victim's Army tie. It is the shrewd Young, who reveals to Mitchum that his own Irish immigrant grandfather was killed by a bigoted mob not long after coming to America, whose expertise ultimately traps Ryan into revealing himself. He uses young Southerner William Phipps, a soldier Ryan likes to make fun of, to reveal information that proves perfect bait for the merciless killer, who falls into the trap.One outstanding noir ploy of the film is that, in order to hide Cooper from the D.C. police while he is under suspicion for murder, the wily Mitchum takes him to an all-night movie theater. Mitchum and fellow soldiers periodically surface in the darkened theater to hold quiet strategy sessions, focused on the task at hand of clearing Cooper and proving their steadfast belief that Ryan is the killer of Levene. The all-night theater idea was adapted from Brooks' novel.RKO intended to use the "Crossfire" team of Dmytryk, producer Adrian Scott and screenwriter John Paxton on numerous other projects. The right wing anti-Communist witch hunt period surfaced at that inauspicious point as Dmytryk and Scott eventually went to jail for contempt of Congress as two members of the Hollywood Ten. Help other customers find the most helpful reviews� Was this review helpful to you? Yes No Report abuse | PermalinkComment Comments (2)

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