Ice Age 2 Meltdown (Fs)

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Price: $47.99   

Ice Age 2 Meltdown (Fs) Review

Ice Age: The Big Chill was very good and entertaining. Just seen The Meltdown and was thoroughly entertained. Hollywood finally put something out that didn't have a bunch of sex, blood and gore. Wonderful one liners and originality in this. The QUEEN did an outstanding job, and Ray just made it all the better. This would be one for the DVD Library for sure. Kids AND adults both had a great time. Thank you Hollywood for finally having something that was fun.

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Being Erica: Series Two [Region 4]

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Price: $51.99   

Product Description

Australia released, PAL/Region 4 DVD: it WILL NOT play on standard US DVD player. You need multi-region PAL/NTSC DVD player to view it in USA/Canada: LANGUAGES: English ( Dolby Digital 2.0 ), WIDESCREEN (1.78:1), SPECIAL FEATURES: 3-DVD Set, Interactive Menu, Scene Access, SYNOPSIS: She's got the chance to go back and do it all over again. Six months ago Erica had just lost her job and her boyfriend had dumped her. Her life was a mess - until she met Dr Tom who literally transported her back to her past and gave her the chance to relive her regrets, to right wrongs, to go back and do things differently. ...Being Erica - Series Two - 3-DVD Set ( The Session )

Being Erica: Series Two [Region 4] Review

Being Erica is a unique,out of the box, literate TV series. Many entries about it find it odd that an American TV network has not picked it up. I think Dr. Tom's quotes throughout the episodes would scare them off. It is on "Soap Net" (of all places!) in the US, but the episodes for this "fall" season do not start on Soap Net until April 2011. And this is Soap Net's last year of operation.Being Erica is not a soap opera, although it is serialized. It is not sci-fi, but features "time travel" on every episode. I almost gave this a 4 star rating due to the PAL version not including any extra features. If you do not need the PAL version I would go with the NTSC which has the extra features.

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Pathfinder

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Price: $51.00   

Pathfinder Review

The historical question is not whether the Vikings came to North America but rather how far South they came once they made it to Vinland (a Norse settlement has been found on the island of Newfoundland). There must have been interactions between the Norsemen and the "skr lingar" (Native Americans), and while there is no evidence that the two races engaged in a violent confrontation it does make a neat idea for a movie, which is why we have the film "Pathfinder: The Legend of the Ghost Warrior." Ghost is a young boy who is left behind after a previous Vikings raid and who grows up eighteen years later to be played by Karl Urban (Eomer in The Lord of the Rings" but also Julius Caesar on "Xena Warrior Princess"). When another Viking raiding party led by Gunnar (Clancy Brown) attacks his village, Ghost leads the fight against the invaders, hoping not only to save his adopted people but also win the heart of Starfire (Moon Bloodgood).

Basically what he have here is "Vikings and Indians" instead of "Cowboys and Indians." Couching the film in such terms, of course, is easily understood but not politically correct. But if you think about the latter in contemporary sports terms, the idea of the Minnesota Vikings taking on the Cleveland Indians is certainly in the ballpark for a key dynamic of this film, which features armored warriors against people armed with essentially sticks and stones. The idea of a war being waged in the New World a thousand years ago is pretty compelling: the concept trailer they shot to get the film produced makes that case quite nicely up to the point when the native warrior attacks the hulking Norseman and you see it is the Viking who has the ax and the lad in the buckskin is fighting with a sword.

The genesis for this 2007 film is the 1987 Norwegian film "Veiviseren" ("Pathfinder"), which is based on a Sami legend. The first full-length film in Sami, that movie was nominated for the Academy Award for Best Foreign Film. This version, written by Laeta Kalogridis and directed by Marcus Nispel, takes the basic story idea of a warrior leading the Sami to victory against a horde of invading Chudes and transplants it from Finnmark to the New World. The Sami become the nameless Native American people rather than the Beothuk people of Newfoundland and the Chudes are transformed into Vikings.

My major problem with this film, quite frankly, is that the hero of this movie is white and the subtext is that if it were not for the kindhearted son of a Viking who was raised by Native Americans the Vikings who come back in Act II of this film would have killed ever native inhabitant of the continent. Well, okay, that would not have happened unless the Vikings infected the local population with a disease that their immune systems could not handle, but you get the idea. At least this movie allows the title character, played by Russell Means, to come up with the obvious strategy that a people armed with Stone Age weapons fighting on their own turf would use against three dragonships worth of Viking warriors, because that is what I really wanted this film to be about.

"Pathfinder" never tries to pass itself off as history, which is a legitimate approach, but a bit more realism would not have hurt. The film was shot in British Columbia, which explains how they get from the ocean shore to snow capped mountains in a relatively short period of time, a direction dictated not by geography but because that is what happened in "Veiviseren." What they should have done was take the premise of a people fighting back against armored invaders in general without being tied to the specifics of the earlier film. Setting up the Vikings to be defeated on terrain and in weather more akin to the land from which they came ends up backfiring.

Whenever possible the film relies on images more than dialogue, although they do not end up going the "Quest for Fire" route. The color palette in the film favors the Vikings for most of the film, tending towards blue, black, white, and silver stressing night, cold, and metal. Eventually these colors overwhelm the film and works against the basic contrast of the Vikings warriors in the lush green forests that I found compelling. The Norsemen speak Icelandic, which is apparently close to the language of the Vikings, leaving English to be the language of Ghost and his tribe.

I ended up rounding down on this film because in the final act of the film the Vikings enter the realm of being too stupid to live. There is a scene that involves going around a frozen lake. Gunnar sees this approach as being an attack on the courage of him and his men, insisting on walking across the ice. At this point I turned to my daughter and said, "Gee, if only they came from a land of ice and snow, and knew something about when not to cross a frozen lake." Besides, I like it when the good guys win a lot more than when the bad guys lose.

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Naked Male

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Price: $499.99   

Naked Male Review

If you are a gay male, this video is for you. I am a female and I bought it for all the wrong reasons. From the title and description, I thought I was getting an erotic (for me) view of beautiful male bodies. I'm not a prude, but this film did nothing for me. It is what it is. I did get a view of the gay mind (I guess) and what a gay guy finds exciting. It confirmed that I am totally not interested in hearing about my gay friends' personal, intimate moments. The film itself is several short films put together. Two of them are of very high technical quality and pretty good performances for what they do. Very fine male specimens. (I couldn't believe some of them were gay!) The other two segments looked like very cheap home-video equipment was used, and the content was corny. Thus the three stars.

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Stevie Ray Vaughn and Double Trouble Live from Austin, Tx LASERDISC

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Stevie Ray Vaughn and Double Trouble Live from Austin, Tx LASERDISC Review

Wow. I had several of their CD's but had never seen a live performance. This video changed that forever. SRV and Double Trouble (DT) appeared twice on Austin City Limits, once in 1983 and again in 1989. The 1983 show highlights SRV as he is beginning to make a name for himself. Already well know to the Austin Blues scene, DT is only three guys but what a sound they put out. SRV is tremendous in Pride and Joy, a powerful Texas Flood (Stevie actually gets Number 1 to growl! ) and his early trademark Voodoo Chile (that's child without the "d"). These three alone are worth the price of admission. The last 2/3 of the tape are from the 1989 show. Now Stevie and the band are cleaned up and keyboardist Reese Wynans adds his extra dimension to the music. Some classic DT tracks are on this portion of the tape. Stevie's solos are mature and entrancing. My favorites in this section are a 7-minute long Cold Shot where Stevie's lead is pure magic, and Riviera Paradise. A bonus at the end of the tape: the Little Wing video with shots of Blues greats from the past and present. Taken all-in-all, this is my most cherished music video. If you're in any way a Blues fan, you'll come to love this video too. Definitely Five Stars!

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Moderato Cantabile [VHS] (aka Seven Days... Seven Nights)

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Product Description

Anne Desbardes is the bored young wife of a wealthy industrial baron. The only light in her life is her young son Pierre. During one of Pierre's piano lessons 'in town', a violent crime is committed in a neighboring cafe. Curious, Anne later goes to the cafe and strikes up a conversation with an employee of her husband, Chauvin. The acquaintance soon becomes an obsession for her, as she equates herself with the victim of the passionate crime she almost witnessed. Based on the novel by Marguerite Duras.

Moderato Cantabile [VHS] (aka Seven Days... Seven Nights) Review

This story about a middle aged married woman - Jeanne Moreau - devoted only to her duties as mother and wife but visibly love orphan in a little town will be perturbed when a night scream

in the opening shots of the film be the start of immense parable of abandon, hopeless , loneliness and search of a reason to live.

Moderato cantabile is a gem of this brilliant director Peter Brook and also deserved to Moreau her only Prize in Cannes as best Actress in 1962.

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